Equipment
Home studios, one standard.
Everyone records from home, so what matters more than the gear is that everyone delivers to the same spec. That's what the list and the table below are for.
01Equipment
Microphones
- [PLACEHOLDER] Rode NT1 5th GenMain vocal
- [PLACEHOLDER] Shure SM7BEfforts and shouting scenes
- [PLACEHOLDER] Audio-Technica AT2020Backup
Interfaces
- [PLACEHOLDER] Focusrite Scarlett 2i2 (4th Gen)
- [PLACEHOLDER] Universal Audio Volt 2
DAW
- [PLACEHOLDER] Reaper 7Recording and editing
- [PLACEHOLDER] Adobe AuditionDialogue editing
Plugins
- [PLACEHOLDER] iZotope RX 11Noise and mouth-click cleanup
- [PLACEHOLDER] FabFilter Pro-Q 4EQ
- [PLACEHOLDER] Youlean Loudness MeterLoudness metering
Room
- [PLACEHOLDER] Acoustic panels + duvet boothAt every recording spot
02Technical standards
| Parameter | Standard | Note |
|---|---|---|
| Sample rate | 48 kHz (44.1 if required) | Video and game projects |
| Bit depth | 24-bit | Minimum for deliveries |
| Loudness (dialogue) | -16 LUFS (streaming) / flexible | Adapted to broadcast spec |
| Noise floor | < -60 dB RMS | Treated room |
| Delivery format | WAV (final) / MP3-Opus (preview) | — |
| File naming | project_character_scene_v01.wav | For version tracking |
[PLACEHOLDER] Sample content — to be replaced with real data.
03Notes
Why this table exists
We combine recordings made in different homes, on different microphones, into one production. When everyone delivers in the same format, at the same level and with the same naming, the mix takes minutes instead of hours. When we work with a producer, their spec takes priority over this table.